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The whole unfiltered blog

Some of you may now know of my work with the Guild of St Clare, repairing , preserving and making textiles and Sacred Vestments for the Traditional Latin Mass. Its something I am so proud to be a part of.


Often with Sacred Vestments it’s wonderful to repair and restore where possible. The history of these items and the religious significance they have makes them worthy of careful work.

A couple of meetings ago I acquired this Rochet from our Guild of St Clare meeting, a Rochet is a garment which has a specific role, only worn by Cardinals, Bishops or Prelates (sometimes others with Papal approval) and usually at a Cathedral Mass.


Image and Paintings of a Rochet


It has a fair few holes in it. Most of them have been quite tiny and easy to stitch together but this particular one was quite large, and sitting at the join of the shoulder yoke and stand collar. It’s placement, and the fact it went into the seam made it hard to stitch together without it misshaping the entire area so I decided to try something new to fix it.



I initially intended to take original warp and weft threads from the garment to make the repair as invisible as possible. However it is fragile, and my heart couldn’t bear to disturb the beautiful hand sewn French seams. So I decided to use white cotton which is not in breach of any requirements for this garment which must be made from fine linen or cotton.



The best way to start this kind of project would be to cut a perfect square in the fabric, and then ensuring your repair was a larger square set around it, however the fibres were quite fragile and I didn't want to make a bad problem worse. So I first placed my garment over a darning pad with the wrong side facing me. Then woven the threads (weft) across the hole making sure at the hole opening the needle and thread came out underneath and went back in the other side of the hole from the underneath. this ensured that the hole itself was hidden from the front. Once I had worked the weft threads I then began to weave the warp threads into the weft. I spaced them out and then added rows between to make the weave closer..ensuring it always worked in an 'over, under' pattern with the weft threads. Before and at the end of each warp or weft thread made a small holding stitch and woven the thread in and out of a few threads.


I carried on, until the patch was completely covered and then trimmed the excess at the back. Leaving about an inch of thread tails.


The piece will be pressed and then stitched back into the collar, but for a first attempt on as fine a fabric as this I am very pleased with the result! Next we are going to repair the lace! Exciting! Then replace the red cuffs with new red fabric as this particular one has faded on one sleeve!


More to come!


K x




Well it’s not quite swing in the air around here but spring is certainly putting a little skip in my step. Whilst we are still in a period of preparation in Lent I wanted to start to think toward the great Easter Feast we would be celebrating (I had Covid last Easter so this one is much anticipated). I really wanted to try something new with the bread rolls this year and so I have been experimenting with some painting on bread.


Easter is a big event here, even more so than Christmas, but what I love about this great feast and celebration of Christs Resurrection is that is still feels (despite aisles of Easter Eggs and Bunnies in the Supermarket) a lot less commercialised than Christmas.


So I have been coming up with an Easter menu plan which I will share with recipes once I have it finalised and one of the ideas I had was for beautifully painted bread rolls, I have seen very impressionist looking cakes with beautiful buttercream on. And so alongside those I wanted our table to feel like a garden of Spring Flowers. Now this attempt today is my first attempt at painting then read, but I thought I would share it today to give you time to practice and have a go yourself!


To paint the bread

You will need a good quality food colouring (natural or otherwise) I had some Wilton cake colouring handy to practice but will be using more natural derived colourings going forward. Dilute the colouring in either Vodka or Glycerin (I used glycerin) . Bake your bread, I used a basic white bread recipe from Allinson (click the link for the recipe) I then gently rubbed white glutinous rice flour (this is important as it keeps the colours bright) over the bread at its final stage before the oven. I diluted the colouring and painted. Now I haven't any brushes spare which I don't use for painting so I will be buying some cheap fine paintbrushes to use with subsequent practices.


The result for a first attempt was really pretty (and four year old approved) looking forward to sharing more progress as we move toward Easter.





Have fun trying it yourself!


K +




Well we are getting into the swing of November and before we know it we will be decking the halls and rocking around the Christmas Tree!


I thought a Tree and a Father Christmas would be a wonderful addition to the Advent Spiral (Issue 001) of the handcrafted year, so if you have purchased it head to your Google drive folder now to find there, all wrapped in imaginary bows and ribbon ready to see some joyful crafting!



Happy crafting to all!

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© 2022 Kelly Ellis-Radahd @thefruitsofyou All rights reserved

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